Color Your Space With These Customizable Storage Units

Now specifiable in new water-based lacquer colors—clay, fennel, ruby, rose hip, and flint—the Mini series provides even more ways to personalize a space. Designed by Danish company Montana’s late founder, Peter J. Lassen, the storage units can be arranged in myriad ways and support about 20 pounds each. Fit out the 14-inch-wide-by-10-inch-deep modules with various shelving and divider configurations, plus up to three drawers and optional doors. The collection also includes mirrors, a magnetic notice board, and even a rolling storage box for toys or other paraphernalia.

Bask In Summer Style With These Outdoor Essentials

Just in time for summer, two bold brands collide in a joyful burst of pattern and color. Fatboy teams up with Dusen Dusen to reimagine six of its most iconic outdoor pieces—including the Headdemock hammock, Paletti modular sofa, and Point pouf. Ellen Van Dusen brings her distinctive visual language of signature stripes and playful graphics to the durable UV- and weather-resistant Olefin textiles, offered in fresh hues like sage, orange, and pool blue. “I grew up with a Fatboy beanbag in my room,” she says. “So, it’s been incredible to bring our shared love of comfort and color to life.” The limited-edition collection debuted this spring at the MoMA Design Store.

10 Brutalist-Inspired Lighting Fixtures Making A Bright Statement

Metal, concrete, and nods to Brutalism abound.

Explore These Glowing Titans of The Lighting Industry

Cubo by Articolo Studios

Cubo light sculptures in brass, bronze, and glass by Articolo Studios.

Entoure by Lauren Rottet + Visual Comfort & Co.

Lauren Rottet’s Entoure 17-inch rotating LED light pendant in bronze by Visual Comfort & Co.

Sequence Lamp by Jay Jermyn + Objects For Thought

Jay Jermyn’s Sequence lamp in aluminum and frosted white glass by Objects for Thought.

Legato Double Strings by Luca Nichetto + Matter Made

Luca Nichetto’s Legato Double Strings pendant of aluminum, brass, and acrylic in textured graphite finish by Matter Made.

Brion by Eric Weil Designs

Brion lamps in board-formed concrete with fabric-wrapped cords and patinated-brass touch controllers by Eric Weil Designs.

A-Tube Nano Swing by Studio Italia Design + Lodes

Studio Italia Design’s A-Tube Nano Swing recessed light of ultra-light aluminum and transparent methacrylate in chrome by Lodes.

Class by Sebastian Herkner + Vibia

Sebastian Herkner’s Class floor and table lamps and sconces in aluminum and borosilicate glass with polycarbonate diffusers by Vibia.

Belt by Ilmiodesign + Estiluz

Ilmiodesign’s Belt floor lamp with metal body, optional glass shade, acrylic lens diffuser, and integrated LED by Estiluz.

Pina XXL by Zafferano

Pina XXL cordless desk lamp made of powder-coated die-cast aluminum by Zafferano.

Shhh! by Ingo Maurer

Shhh! pendant light by Ingo Maurer.

Glimpse A Textured Armchair You’ll Want to Feel IRL

Montreal-based artist and Studio Rotolo founder Stefano Giacomello is best known for his hyper-realistic renderings of interior spaces—“decorated” with his own 3D-modelled digital furnishings. Those concepts have now become physical thanks to La Collection Rotolo from Parisian collectible design gallery Boon_Room. One such piece is La Poltrona, an armchair made of a bulky wood-and-steel structure padded with hand-shaped foam to offer up superlative comfort and pleasingly plump proportions (including a seat depth of 65.5 centimeters). Adding to its IRL charm are the multiple leathers and fabrics available, including from the “hairy and textured” category, like alpaca and teddy fur. 

Barbara Barry Unveils Grass-Weave Window Coverings

Based in Los Angeles, Barbara Barry is a renowned interior and product designer, but she’s also a plein-air painter attuned to the nuances of nature. She brings that sensibility to her serene new collection for Hartmann&Forbes. Its four grass-weave window coverings are handwoven to size, up to 180 inches wide; they include delicate Retreat, made of ramie and banana fibers that softly shade a room. Among the four natural wallcoverings is Utopia, an artful pattern of overlapping ovals printed on cork, with a metallic layer that reflects the light. Dots dapple the dreamy Transcendence, a handwoven paper with a subtle ribbed texture. In soft colorways like silver sage and citrine, the elegant 26-SKU collection reflects the Interior Design Hall of Famer’s keen observation of light, hue, and texture.

These Bath Fixtures Pay Tribute To Achille Castiglioni

Taking a more intuitive approach than the typical H and C markings to designate hot and cold, these red and blue levers won’t get lost in translation: The colorful tabs guide your eyes and hands to just the right place. The new Achille Castiglioni Collection bath fixtures are based on the legend’s original drawings, sketches, and maquettes from the 1980s, thus honoring his creative intentions. A highlight is this compact and efficient single-hole design that integrates the functionality of a three-hole system, reducing the footprint to a minimum. Other iterations include wall-mount mixers, three- and five-hole deck mounts, shower fittings, and more. The series is the latest from Italian brand Mamoli’s Maestri series, all based on the historic works of Giò Ponti and Alessandro Mendini.

Make A Statement With This Eye-Popping Tile Collection

Isla is a little bit midcentury, a little bit mod. The series’ four graphic deco tiles by Nemo Tile + Stone include this circular motif, which looks especially fetching in white. (Soft coral, green, and sand colorways are also available, all against a light background for a slightly more contrast-y effect.) The tone-on-tone pattern is achieved via a glossy glaze applied to a matte background. An uneven pour results in delightfully irregular edges and texture, which softens the bold geometry and gives the porcelain a handcrafted look. Isla’s 8-inch deco tiles are suitable for walls only, while the coordinating monochrome modules can be installed on low-traffic floors, too.

Piece Together The Future Of Design With These Creative Endeavors

A travelogue of works by global creatives from India to Italy—with pit stops in the Big Apple along the way—shapes the future of design.

Explore A New World Order With These Colorful Pieces

Rajasthani artist Kalyan Joshi’s hand-painted The Pot Is ‘HER’ Phad Totem Pole stackable table set, made in India, by Gunjan Gupta.

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Space Rock mirror with pigmented volcanic rock accents by Mexico City–based Montserrat Piña Benetts through Ademán.

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Arches Sunset and Birds of a Feather (for Kaitlynd) vessels handcrafted in Philadelphia of glazed ceramic using wire and sharpened sticks by Sean Gerstley through Superhouse.

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Glazed ceramic floor lamp in Power Clash produced through a combination of handmade and 3D-printing processes by Santa Barbara, California–based Jolie Ngo through R & Company.

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Contour tea table in fiberglass-reinforced plastic, exhibited at SaloneSatellite 2025, by Carlos Chen Design of Hangzhou, China.

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Onda handmade wall embroidery in wool yarn on a PVC-net base by Belgian designer Charlotte Lancelot for Gan Rugs.

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Limited-edition Roots Altar, crafted by Futuro, in solid beech with eucalyptus, ziricote, mahogany, ash, and burl veneers, cork-lined drawers, and reishi-mycelium door panel by Prague-based Jiri Krejcirik.

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Margherita Maccapani Missoni’s one-of-a-kind Scalloped Wooden Display Case crafted of airbrushed vintage furniture by Maccapani through eBay.

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Flow Solaris LED light in hand-dyed polyester macramé cord with chrome-plated canopy, crafted by a female artisans’ collective in İzmir, Turkey, for architect/fashion designer Pelin Once of Studio Ponce.

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Coexist architectural ceramic lighting series crafted using advanced coding, slip casting, and ceramic glaze work techniques by New York–based Maria Teresa Castillo and Santiago Braby Brown of Forma Rosa Studio.

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SaloneSatellite 2025 Award–winning Plissade screen in cotton and postconsumer-recycled felt by Patricio Nusselder and Fenna van der Klei of Rotterdam studio Luis Marie.

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Draga Obradovic and Aurel K. Basedow of Draga & Aurel’s Phebe LED pendant lamps, handmade of Lucite and epoxy resin in Como, Italy, through Rossana Orlandi Gallery.

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Phisophorum Floating ceiling lamp hand-blown of Murano glass, in shades of celadon, by Milan-based Christian Pellizzari through Nilufar Depot.

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Picchu side table with kiln-case glass top and mycelium base with rechargeable portable light by Hungarian architect/artist Kamilla Csegzi through Brooklyn, New York, design gallery Zarolat.

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Harlequin screen in hand-marbled brass by British-born decorative artist Simon Leah through AM Collective.

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Staple stools in polished, pigmented recycled plastic and felt, made in the Netherlands from pressed Kooij prototypes and color tests, by Dirk van der Kooij.

Take Flight: Kites Shape A Sculptural Lighting Collection

Childhood memories are often the source of a major creative spark. For Michael Anastassiades, it was the making and flying of kites that led to Cygnet, a series of sculptural fixtures he debuted during Milan Design Week. The new work builds on his previous collection of equilibrium-themed fixtures: Each unit consists of two equilateral paper triangles—illuminated by a hidden light source—that seem to float in midair. Available in two sizes (24 and 35 inches long) and multiple configurations, Cygnet acts as both a light source and a spatial composition. The Cypriot designer also showed a custom Floor Mobile Chandelier, a set of illuminated globes upheld by an impossibly thin, curved brass armature (in a patinated Prussian-blue hue) with tripod base.

RF Studio Unveils ‘Soil Map’ Series Made From Industrial Waste

The process behind the experimental pieces in the Mapa de Suelos (“soil map”) series mirrors the complexity of the natural topographies they depict. Rafael Freyre, founder of Lima-based art and architecture practice RF Studio, assembles the tables from industrial-waste fragments of Peruvian stones—including marble, travertine, and variants of onyx—all sourced from Andean quarries. Labor-intensive traditional techniques are employed to achieve the nearly invisible joints. The patterns are based on aerial views of the Andes and the Amazon, landscapes that Freyre is drawn to both visually and ancestrally: His family has roots in the country’s highlands.